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4
Apr, 2012

Natalia Kadish : Experiential Expression

by Deborah E on April 4, 2012

In learning about Ms. Kadish, I am struck by what a student of life she is and how much she not only observes life around her, but takes it in, experiences it, interprets it, and expresses it out to the world around her, for the rest of us to enjoy as a part of our life’s experiences.

Come, meet Ms. Natalia Kadish…

28
Mar, 2012

The Art Lover and the Self-Expressing Artist (Originally Published on Dangerous Lee)

by Deborah E on March 28, 2012

The following is an article by Deborah E, ScatNStyle.com, published on Dangerous Lee.

Read full article.

21
Mar, 2012

Consuelo Okdie : Tantalizing Textures

by Deborah E on March 21, 2012

There is so much more to Ms. Consuelo Okdie and her art than what could possibly be articulated here. She is gifted in painting (and creating her own paints), as well as the sculpting and the combination of both. That’s why I called this “Tantalizing Textures,” because the color and the design and the art pull me in wanting more!

Come, let’s get to know Ms. Okdie, in her own words…

25
Jan, 2012

Da Vinci, Van Gogh, and Picasso : Some Interesting Facts

by GuestAuthor on January 25, 2012

Lesser Known Facts About the World’s Greatest Artists.

When you think of art, many people think “Mona Lisa,” “Sistine Chapel,” “The Scream,” and other famous examples of artwork, but sometimes an artist’s life can be just as interesting as their paintings.

Did you know, for example, that Michelangelo absolutely hated painting? He claimed that painting was a waste of time compared with sculpture, and had to be harassed by Pope Julius II to paint the Sistine Chapel ceiling, which became one of the world’s most famous paintings. Not a bad “waste of time.” Want to learn more interesting facts? Read on…

2
Nov, 2011

Starting Your Art Collection

by Deborah E on November 2, 2011

Starting your art collection is aided by knowledge about art pieces. For example, the hand embellished reproduction is the type of reproduction that the artist signs, individually, giving the reproduction more value than it would have if it was “only” a reproduction (minus the embellishment), but still less value than the original artwork.

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